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c. 1445 – May 17, 1510. Italian painter.

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Daniel Schultz the Younger
Detail of the Crimean falconer depicting the falconer of king John II Casimir in French costume.

ID: 92396

Daniel Schultz the Younger Detail of the Crimean falconer depicting the falconer of king John II Casimir in French costume.
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Daniel Schultz the Younger Detail of the Crimean falconer depicting the falconer of king John II Casimir in French costume.


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Daniel Schultz the Younger

painted Portrait of Maria Kazimiera with her son Jakub Ludwik in 1674  Related Paintings of Daniel Schultz the Younger :. | Ananda and Parinivana-Buddha, Screamed Vihara, Polonnaruva | Red cavalry | Resident place | Pieta | Ecce Homo |
Related Artists:
Girolamo Induno
13/12/1825 - 18/12/1890
Adriaan de Lelie
was born at Tilburg in 1755, and was a scholar of Peeters, a painter of tapestries and ornaments, and afterwards of Quertenmont at Antwerp. He made copies of many of the portraits by Rubens and Van Dyck at Desseldorf, and also of historical pictures by Italian and Dutch masters. By the advice of Professor Camper, he established himself at Amsterdam, where he painted a great number of portraits and cabinet pictures; among the latter is one of the celebrated amateur Jan Gildemeester showing his collection to a party of ladies and gentlemen, in which the principal pictures are readily recognised. One of his best works is that representing the 'Drawing Academy' of the Felix Meritis Society at Amsterdam. His pictures are highly esteemed in Holland and Germany, where they are to be met with in the best collections. He died at Amsterdam in 1820.
Nittis, Giuseppe de
Italian, 1846-84 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism, he achieved great success in his lifetime,






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